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Original Abstract People Painting by Christopher Bagnall
Original Abstract People Painting by Christopher Bagnall
small-01
Original Abstract People Painting by Christopher Bagnall
small-02
Original Abstract People Painting by Christopher Bagnall
Original Abstract People Painting by Christopher Bagnall
Original Abstract People Painting by Christopher Bagnall
Original Abstract People Painting by Christopher Bagnall
Original Abstract People Painting by Christopher Bagnall

5

"Study of Head (After Entropy)" Fine Art Print

Christopher Bagnall, United Kingdom

$190

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 12 in ($190)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Image began as a portrait. However, it has been worked over and over, sending the head to the back of the image, forming layers of marks over the top.

Year Created:

2013

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a painter who is concerned with the notion that a stranger is an abstract ideal. My work begins with a series of small sketches of strangers. I find that with drawing people I do not know, I can focus on the form and presence rather than their identity. Through this process I have discovered, the sketches become about a very peripheral experience of observing the person whilst the identity of the individual remains largely unknown. Upon return to my studio, these drawings become a catalyst for painting. I found that through the process of transcribing these sketches into paint that I have to scrape and reapply paint repeatedly; forming several layers that overlap which creates further abstraction of the figure and its surroundings. The result is an image that has been informed by an observation and the act of drawing.

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