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Original Impressionism Architecture Painting by Stephen Mitchell
Original Impressionism Architecture Painting by Stephen Mitchell
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Original Impressionism Architecture Painting by Stephen Mitchell
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Original Impressionism Architecture Painting by Stephen Mitchell
Original Impressionism Architecture Painting by Stephen Mitchell
Original Impressionism Architecture Painting by Stephen Mitchell
Original Impressionism Architecture Painting by Stephen Mitchell
Original Impressionism Architecture Painting by Stephen Mitchell

1

"Sydney Opera House in a Morning Haze" Fine Art Print

Stephen Mitchell, United Kingdom

$240

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
48 x 38 in ($240)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This original painting is a serene depiction of Sydney Opera House enveloped in a bright morning haze. I reimagined this view from The Rocks by giving the buildings a whitewashed, mediterranean look. Size (Framed): 33 x 26.5 x 1 inches (84 x 68 x 3 cm) Size (Unframed): 30 x 23.5 x 0.1 inches (76 x ...

Year Created:

2024

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

48 W x 38 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am fascinated with creating moods using subtle colours, tones and symbolism. I try to capture the essence of a subject by fusing abstraction and realism. My subjects are diverse, I always love the challenge of painting the human form, and am drawn to capturing the innate characteristics of different animals. I've always loved painting gritty industrial landscapes and cityscapes. The way I paint tends to change depending on the subject. I sometimes build up very thick layers, mixing the colours directly on the canvas. Other times I use fluid paint, pouring and splashing. Layers of texture such as newsprint, leaves, and fabric can also help to tell a story.

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