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Original Cubism Architecture Painting by Matija  HajdarhodžIć
Original Cubism Architecture Painting by Matija  HajdarhodžIć
small-01
Original Cubism Architecture Painting by Matija  HajdarhodžIć
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Original Cubism Architecture Painting by Matija  HajdarhodžIć
Original Cubism Architecture Painting by Matija  HajdarhodžIć
Original Cubism Architecture Painting by Matija  HajdarhodžIć
Original Cubism Architecture Painting by Matija  HajdarhodžIć
Original Cubism Architecture Painting by Matija  HajdarhodžIć

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"The Disappearing Building" Fine Art Print

Matija HajdarhodžIć, Croatia

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 9 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Woke up one morning in the early days of Medika, woke up and saw a building disappearing.

Year Created:

2009

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I was born in 1984 in Zagreb. And drew like all the other kids, maybe a bit better than the rest of them. I was especially turned on by complicated textures and repeating patterns, like roof tiles on houses, branches on trees that branch further on and on, as long as my pen can take it. Fascinated by perspective, I considered it too difficult for me, I drew everything flat. At ten or eleven I got obsessively interested in cartography, on every mudge I knew where to put a port town protected from sea currents and waves, and spots on stains would clearly be lakes or massifs, I admired the accidental design of the coastline. Particularly thrilling are city maps, logic of forming streets and squares, laying the habitant space over the nature given configuration.

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