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Original Realism People Painting by Bobby Stinger
Original Realism People Painting by Bobby Stinger
small-01
Original Realism People Painting by Bobby Stinger
small-02
Original Realism People Painting by Bobby Stinger
Original Realism People Painting by Bobby Stinger
Original Realism People Painting by Bobby Stinger
Original Realism People Painting by Bobby Stinger
Original Realism People Painting by Bobby Stinger

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"The Ideal Son" Fine Art Print

Bobby Stinger, France

$120

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($120)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Acrylic painting of Roger Federer and his hypothetical family.

Year Created:

2013

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

The "Sleep" series is a tribute to the inner world we visit when our eyes are closed. Originally inspired by the Greek gods, the smiles of the subjects relate to Eros, the pleasure and inner peace we feel when connected with another. The closed eyes, Thanatos, relate to death. The expressionist touch may be interpreted as the constant fight between the two gods (life/death) and the variety of thoughts we all have when we dream. In my early paintings, I explored, sociologically, how fads imprint contemporary culture and even have the ability to rewrite recent history, changing the public's perspective profoundly. From a distance, I reflected the tendency of Western society to idealize and glorify modern icons, such as brands or celebrities, without question. As a basis for my work, I was inspired by twentieth century propaganda posters and artworks with strong religious and political messages that I rearranged in order to reinterpret and deconstruct the present. Finally, as a part of a dialectic process, my work questions the history of art by challenging both the notion of the "celebrity artist" and my role in this mechanism.

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