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Original Abstract Nature Painting by David Jones
Original Abstract Nature Painting by David Jones
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Original Abstract Nature Painting by David Jones
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Original Abstract Nature Painting by David Jones
Original Abstract Nature Painting by David Jones
Original Abstract Nature Painting by David Jones
Original Abstract Nature Painting by David Jones
Original Abstract Nature Painting by David Jones

6

"The Last To Leave" Fine Art Print

David Jones

$99

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 12 in ($99)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Enamel on Wood (Ash)

Year Created:

2011

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

David Robert Jones BA hons I explore compositions and imagery of the great European painters of the High Renaissance and Baroque periods. My aesthetic has been informed by research into the historical context and technique of these masters yet in style is expressive of a contemporary sensibility and a playful enjoyment of the medium of paint. I paint people in staged looking situations and make use of furniture, clothing and other props that provide a range of surfaces and textures for me to copy. I frequently insert animals or models of animals that have a historical relationship with humanity. I sometimes insert myself into my paintings in reflections or as a spectator/ voyeur (devices also used by Caravaggio, Velásquez and Rembrandt).  The starting point for a painting or series usually originates from a simple desire to paint something I have seen like a sky, interior, item of clothing or a person whom I have noticed. After that I can develop narratives, relationships and jokes that enrich the narratives of my paintings and allow for me to explore and articulate themes that occupy my imagination.

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