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The Mindscape of Alan Moore Print

Philip Leister

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20 x 16 in ($120)

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ABOUT THE ARTWORK

"War never accomplishes anything. It's never going to look good in the history books. People are never going to look back and think, 'He started a lot of wars; what a great leader he was!' That's not the way it works. God knows how many more of these things we're going to need before it starts to sink in." "To some degree Satanism is purely a kind of disease of Christianity. You've got to really be Christian to believe in Satan." "Art makes us feel less alone. It makes us think: somebody else has thought this, somebody else has had these feelings." "Most of the people who get sent to die in wars are young men who've got a lot of energy and would probably rather, in a better world, be putting that energy into copulation rather than going over there and blowing some other young man's guts out." "To paint comic books as childish and illiterate is lazy. A lot of comic books are very literate - unlike most films." "Our environments shape the way we see ourselves. If you have been condemned to live in an area that is pretty evidently a rat-run, then sooner or later you're gonna come to the conclusion that you're a rat." "I've developed a theory that there's an inverse relationship between money and imagination. That if you've got lots of imagination then you don't really need much money, and if you've got lots of money then you won't bother with much imagination." "I don't think any of us grew up into the world we were hoping for or expecting." "My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky." "I really can't be bothered going to a barber. And shaving every morning, that's nightmarish. I spent my teenage years covered in tiny little bits of toilet paper." "If the audience knew what they wanted then they wouldn't be the audience, they would be the artist." "Don't leave home without your sword - your intellect." "You've got to be able to pay your bills; otherwise, you're not going to sleep at night. But beyond that, the world inside my head has always been a far richer place than the world outside it. I suppose that a lot of my art and writing are meant to bring the two together." "Money's fine if it enables you to enjoy your life and to be useful to other people. But as something that is a means to an end, no, it's useless." "I've never studied anything formally. I was excluded from school at the age of 17, so I am an autodidact, which is a word that I have taught myself." "Since I am me, I find it very difficult to judge how fascinating listening to my nasal, heavily-accented drone for two hours would be to somebody who wasn't me." "Life is a lot more interesting if you are interested in the people and the places around you. So, illuminate your little patch of ground, the people that you know, the things that you want to commemorate. Light them up with your art, with your music, with your writing, with whatever it is that you do." "I don't want everybody to agree with me. I want people to think." -Alan Moore The Mindscape of Alan Moore is a 2003 documentary film that chronicles the life and work of Alan Moore, author of several acclaimed graphic novels, including From Hell, Watchmen, and V for Vendetta. The Mindscape of Alan Moore is Shadowsnake's first completed feature project, part One of the Shamanautical / 5 Elements series. It is the directorial debut of Dez Vylenz. It is the only feature film production on which Alan Moore has collaborated, with permission to use his work. This feature was shot on film, in colour, and is 78 minutes in length. Synopsis: Alan Moore presents the story of his development as an artist, starting with his childhood and working through to his comics career and impact on that medium, and his emerging interest in magic. The film features the first film adaptations of scenes from Moore's acclaimed series V for Vendetta and Watchmen, shot in early 2002. Another key scene features a direct reference to the character of John Constantine from the comic book Hellblazer. The film also contains a brief look into Lost Girls, which would not be officially released until years later. Alan Moore (born 18 November 1953) is an English writer known primarily for his work in comic books including Watchmen, V for Vendetta, The Ballad of Halo Jones, Swamp Thing, Batman: The Killing Joke and From Hell. Regarded by some as the best comics writer in the English language, he is widely recognized among his peers and critics. He has occasionally used such pseudonyms as Curt Vile, Jill de Ray, Brilburn Logue, and Translucia Baboon; also, reprints of some of his work have been credited to The Original Writer when Moore requested that his name be removed. Moore started writing for British underground and alternative fanzines in the late 1970s before achieving success publishing comic strips in such magazines as 2000 AD and Warrior. He was subsequently picked up by DC Comics as "the first comics writer living in Britain to do prominent work in America", where he worked on major characters such as Batman (Batman: The Killing Joke) and Superman(Whatever Happened to the Man of Tomorrow?), substantially developed the character Swamp Thing, and penned original titles such as Watchmen. During that decade, Moore helped to bring about greater social respectability for comics in the United States and United Kingdom.  He prefers the term "comic" to "graphic novel". In the late 1980s and early 1990s he left the comic industry mainstream and went independent for a while, working on experimental work such as the epic From Hell and the prose novel Voice of the Fire. He subsequently returned to the mainstream later in the 1990s, working for Image Comics, before developing America's Best Comics, an imprint through which he published works such as The League of Extraordinary Gentlemen and the occult-based Promethea. In 2016, he published Jerusalem: a 1,266-page experimental novel set in his hometown of Northampton, UK. Moore is an occultist, ceremonial magician, and anarchist, and has featured such themes in works including Promethea, From Hell, and V for Vendetta, as well as performing avant-garde spoken word occult "workings" with The Moon and Serpent Grand Egyptian Theatre of Marvels, some of which have been released on CD. Despite his objections, Moore's works have provided the basis for several Hollywood films, including From Hell (2001), The League of Extraordinary Gentlemen (2003), V for Vendetta (2005), and Watchmen (2009). Moore has also been referenced in popular culture and has been recognised as an influence on a variety of literary and television figures including Neil Gaiman, and Damon Lindelof. He has lived a significant portion of his life in Northampton, England, and he has said in various interviews that his stories draw heavily from his experiences living there. Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

20 W x 16 H x 1.25 D in

Size with Frame:

21.75 W x 17.75 H x 1.25 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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