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Original Conceptual Abstract Painting by João Almeida
Original Conceptual Abstract Painting by João Almeida
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Original Conceptual Abstract Painting by João Almeida
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Original Conceptual Abstract Painting by João Almeida
Original Conceptual Abstract Painting by João Almeida
Original Conceptual Abstract Painting by João Almeida
Original Conceptual Abstract Painting by João Almeida
Original Conceptual Abstract Painting by João Almeida

4

"The Path" Fine Art Print

João Almeida, Portugal

$120

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($120)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The mysteries of the universe dance between blue and pink, revealing the magic of cosmic destinies.

Year Created:

2024

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My name is Xueka. I’m an artist from Porto, Portugal, currently based in Matosinhos. I work across painting and sculpture. Over the past years, my work has become more focused on building a visual language. I’m interested in creating a system, something that feels structured but still comes from intuition. I work a lot with repetition, symbols, and patterns, letting them evolve naturally until they start to form something coherent. I don’t approach my work as representation. I’m not trying to depict something specific, I’m trying to build something that exists on its own terms. Most of the time, I don’t fully control where a piece is going. I start with a direction, but the process takes over, and I follow it. What matters to me is that each piece feels alive and resolved in its own way. I’m constantly experimenting, pushing materials and compositions, and trying to refine this language into something that is both instinctive and precise.

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