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Original Cubism People Painting by Matija  HajdarhodžIć
Original Cubism People Painting by Matija  HajdarhodžIć
small-01
Original Cubism People Painting by Matija  HajdarhodžIć
small-02
Original Cubism People Painting by Matija  HajdarhodžIć
Original Cubism People Painting by Matija  HajdarhodžIć
Original Cubism People Painting by Matija  HajdarhodžIć
Original Cubism People Painting by Matija  HajdarhodžIć
Original Cubism People Painting by Matija  HajdarhodžIć

1

"The Subliminal Diary of a Repatriate, Chapter II: At the Movies" Fine Art Print

Matija HajdarhodžIć, Croatia

$120

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
20 x 16 in ($120)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

...It is the lady sitting next to me, poking me, and really, my butt was too much in her face. I haven't slept last night, excited about going back to Zagreb, and it's really warm at the movies. I look around myself, it seems no one else is angry, regular people, one with a hat, another one with pop...

Year Created:

2015

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

20 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I was born in 1984 in Zagreb. And drew like all the other kids, maybe a bit better than the rest of them. I was especially turned on by complicated textures and repeating patterns, like roof tiles on houses, branches on trees that branch further on and on, as long as my pen can take it. Fascinated by perspective, I considered it too difficult for me, I drew everything flat. At ten or eleven I got obsessively interested in cartography, on every mudge I knew where to put a port town protected from sea currents and waves, and spots on stains would clearly be lakes or massifs, I admired the accidental design of the coastline. Particularly thrilling are city maps, logic of forming streets and squares, laying the habitant space over the nature given configuration.

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India Balyejusa, Senior Curator