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Original Abstract Painting by Mats Andersson
Original Abstract Painting by Mats Andersson
small-01
Original Abstract Painting by Mats Andersson
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Original Abstract Painting by Mats Andersson
Original Abstract Painting by Mats Andersson
Original Abstract Painting by Mats Andersson
Original Abstract Painting by Mats Andersson
Original Abstract Painting by Mats Andersson

24

"The day of infiltration" Fine Art Print

Mats Andersson, Sweden

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Abstract, Oil on linen

Year Created:

2012

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My paintings represent a personal language created through the use of color, texture, composition, and action. By pushing, scraping, dripping, using different tools and materials, and throwing the paint I create a visual history of my own response to these complex elements. It is an active process, intermingling various elements and materials into one final composition. I love to go “over the edge” to explore new possibility’s and expressions, to surprise myself and the viewer. As I paint I forever seek the balance between negative/positive, light/dark, thin/thick. I use great sweeping gestures against calm breathing spaces. The splatter, gesture, and stroke is sometimes planned and sometimes a result of the intuitive process when I work and the outcome is how it will affect the final result of the painting. I find the harmony of contradictory visual ideas, both beautiful and exciting. For me the intuitive painting process has become a visual equivalent of meditation. I let the paint act as my medium. The titles have been invented as a part of this process and are also a part of the final result. I have gained international attention and have exhibited in New York, Berlin, Amsterdam, Florence, Piza, London, Stockholm, Copenhagen and Norway. Represented by collectors in Sweden, Norway, Germany, Spain, USA and France.

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