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Original Figurative Animal Painting by Lia Mariani
Original Figurative Animal Painting by Lia Mariani
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Original Figurative Animal Painting by Lia Mariani
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Original Figurative Animal Painting by Lia Mariani
Original Figurative Animal Painting by Lia Mariani
Original Figurative Animal Painting by Lia Mariani
Original Figurative Animal Painting by Lia Mariani
Original Figurative Animal Painting by Lia Mariani

8

"The fox and the stork" Fine Art Print

Lia Mariani, Italy

$180

Material
  • State-of-the-art coating infuses images directly to aluminum to make art come alive with vibrancy and clarity
  • The heavy, ultra-hard, scratch-resistant surface is water and moisture resistant and can be cleaned easily – just avoid direct sunlight
  • Features a robust 3/4" inset exhibit mount frame. Hardware installation provided
Metal
Size
9 x 12 in ($180)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This artwork is part of a series of illustration of La Fontaine Fables. This particular one is the number 426 and is about a Fox that tries to trick a stork and ends up being tricked itself by the stork. The moral drawn is that "the trickster must expect trickery in return and that the golden rule...

Year Created:

2019

Subject:
Medium:

Print, Ink on Aluminum

Rarity:

Open Edition

Size:

9 W x 12 H x 0.88 D in

Ready to Hang:

Yes

Frame:

Not Applicable

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

“Nowhere else does light come out with such strength as from the deepest darkness” I started as a child with drawing, as I imagine everyone does, when I seemed to have a million things to say and few words, then I moved on to restoration, sculpture, painting. Today the bulk of my work is in scratchboard, a slow and demanding technique, which allows me to bring the drawing closer to the sculpture while I engrave the layer of color on the transparent support with a pin.

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