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Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
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Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
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Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska
Original Modernism Abstract Painting by Sillenn  Sylwia Jastrzebska

17

"The sound of silence ©" Fine Art Print

Sillenn Sylwia Jastrzebska, Poland

$137

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($137)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Abstract acrylic painting in calm colors, inspired by nature. Artwork made with high-quality acrylic paint, covered with varnish, sides of the picture painted over as a continuation of the painting.

Year Created:

2022

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My name is Sylwia Jastrzębska, my artistic pseudonym is Sillenn and I am a contemporary Polish painter. My paintings are mainly abstractions. I paint mainly with acrylics, but I don't try to stay away from other media. I use paint brushes, painter's spatulas and the blending technique to achieve wonderful effects of penetrating individual colours. In my abstract works, I am interested in the interaction between a combination of colours without a particularly recognisable shape and the viewer. My greatest satisfaction comes when the viewer discovers something personal when looking at a painting, whether it is a memory of an image from the past or getting carried away by their imagination and going on a mistycal journey.

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