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View In My Room

Today, the Day. Now, the Time Print

Anashrita Henckel

United Arab Emirates

Open Edition Prints Available:
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9 x 12 in ($65)

9 x 12 in ($65)

15 x 20 in ($99)

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White ($80)

Black ($80)

White ($80)

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Metal: Light Pewter ($150)

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$145

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Stitched, burned, cut & collaged, painted and layered. The many textures and processes allude to layers of history, pain, anguish - of memories stitched together randomly and oftentimes inaccurately or cut into the collective unconscious of those who have suffered. The central geometry represents ...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Anashrita Henckel

Anashrita Henckel

United Arab Emirates

The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.

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