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Original Abstract Painting by Rm Cimini
Original Abstract Painting by Rm Cimini
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Original Abstract Painting by Rm Cimini
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Original Abstract Painting by Rm Cimini
Original Abstract Painting by Rm Cimini
Original Abstract Painting by Rm Cimini
Original Abstract Painting by Rm Cimini
Original Abstract Painting by Rm Cimini

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"Under the Red Rock" Fine Art Print

Rm Cimini, United States

$182

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($182)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Semi-abstract My reverence and love of natural elements and their illusions is in direct balance with my fascination and obsession handling the materials and surfaces of my paintings. Here is a gestural landscapes that convey the visceral experience of a place, rather than describing its likeness.

Year Created:

1985

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

RitaMarie was born in Providence RI and studied painting at Worcester Art Museum School before attending Bennington College, where she studied with Pat Adams and Phillip Woffard and received an MFA in painting and sculpture. Initially drawn to color field painting, her exposure to the remnants of strict formalism at Bennington caused her to begin exploring figure/ground relationships and the inclusion of cues from the outer world. She began thinking of how abstraction could hold meanings and act metaphorically. She sought ways to engage her viewers who might otherwise pass over color field work as pretty decorations. Moving to NYC her painting continued this shift including more referential markers. She pushed her painting into a realm between landscape and abstraction. The abstract use of color creates an experience of light and place, the color and the light act as phenomena in the painting. At this time she began to practice meditation and began to think of art as a spiritual expression and her paintings as an extension of meditative work. She strove to express in her paintings, the lessons of spiritual growth and the internal events which we all experience, which change and shape us. In the past few years she has begun to work in series to focus and structure her work. A narrative is carried throughout the paintings, the narrative of the interchange between the artist and the work.

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