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Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Semi-abstract My reverence and love of natural elements and their illusions is in direct balance with my fascination and obsession handling the materials and surfaces of my paintings. Here is a gestural landscapes that convey the visceral experience of a place, rather than describing its likeness.
1985
Print, Giclee on Canvas
Open Edition
16 W x 16 H x 1.25 D in
Yes
Not Framed
Black Canvas
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Printing facility in California.
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United States
RitaMarie was born in Providence RI and studied painting at Worcester Art Museum School before attending Bennington College, where she studied with Pat Adams and Phillip Woffard and received an MFA in painting and sculpture. Initially drawn to color field painting, her exposure to the remnants of strict formalism at Bennington caused her to begin exploring figure/ground relationships and the inclusion of cues from the outer world. She began thinking of how abstraction could hold meanings and act metaphorically. She sought ways to engage her viewers who might otherwise pass over color field work as pretty decorations. Moving to NYC her painting continued this shift including more referential markers. She pushed her painting into a realm between landscape and abstraction. The abstract use of color creates an experience of light and place, the color and the light act as phenomena in the painting. At this time she began to practice meditation and began to think of art as a spiritual expression and her paintings as an extension of meditative work. She strove to express in her paintings, the lessons of spiritual growth and the internal events which we all experience, which change and shape us. In the past few years she has begun to work in series to focus and structure her work. A narrative is carried throughout the paintings, the narrative of the interchange between the artist and the work.
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