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Fine Art Paper
10 x 8 in ($40)
No Frame
242 Views
1
Print, Giclee on Fine Art Paper
Open Edition
10 W x 8 H x 0.1 D in
No
Not Framed
Ships Rolled in a Tube
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Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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Tslil Tsemet TslilTsemt Born in 1988 An interview on Vice magazin 2017: Education 2007-2011 B.F.A at the Bezalel Academy of Art and Design, Jerusalem Professional Experience: 2016- interenship with artist Alex Gross. Resident artist at the Hive gallery, los angeles, since February 2015 Member at the LA artist association since 2015 Professional tattoo artist since 2007 Solo Exhibitions 2017 "Outliers" Nuetra Museum, los Angeles 2015 "recent works by Tslil Tsemet", ATA gallery, san Francisco, ca 2013 "No free meals" , Jaffa art salon,Tel-Aviv 2011 “Untitled” Reality Rehab Center, Tel-Avivjust 2010 “Palindrome” Defrost Art Festival, Jerusalem. Curator: Rona Urobano 2008 “City meets art”,Jerusalem Selected Group Exhibitions: 2017- "Iconic Black Panther"- Gregorio Escalante gallery, los angeles. 2017- "The high priestess"- Art share LA 2016-"Fantastic feminist figuration" curated by Betty Brown and Wendy Sherman, groundspace project gallery, los angeles. "Your art here” Art share LA, los angeles, 2016 “Rainbow shift” we choose art at the Moltalban, Los angeles. 2016 “Open show” Garage gallery, los angeles, 2016 “Open show” gallery 38, los angeles, 2016" 2015 "yardsale" stonemalone gallery. Los angeles" 2015 "stiches", heart of art gallry, los angeles" 2015 ""group exhibit untitled 7". Blackstone gallery, los angeles" 2015 "Erotica show" Hive gallery. Los angeles" 2015"culture pop 3" studio Bancs. Culver city, los angeles Beautiful dirty day like this I haven't seen", Alfred Gallery, 2014, Tel-Aviv" 2013 "Till 2014", Hanina Gallery, Tel-Aviv" 2013 "Calcalist magazine artists of the year, Calcalist , tel aviv 2012 “Last Chance “exhibition at the palace, Tel Aviv Artist statement: Through Art I examine the human species based upon the social and cultural values to which it is bond, and to those ideals we grasp in order to maintain our sanity. Therefore, I paint and sculpt with the use of symmetrical composition, and blur the line between Kitsch and Sacrament, and thus I sanctify so called amoral, secular, modern situations. The works play a role of mythological illustration, where the modern, western mind completes the tale.
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