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Original Conceptual People Painting by Ketty Haolin Zhang
Original Conceptual People Painting by Ketty Haolin Zhang
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Original Conceptual People Painting by Ketty Haolin Zhang
small-02
Original Conceptual People Painting by Ketty Haolin Zhang
Original Conceptual People Painting by Ketty Haolin Zhang
Original Conceptual People Painting by Ketty Haolin Zhang
Original Conceptual People Painting by Ketty Haolin Zhang
Original Conceptual People Painting by Ketty Haolin Zhang

8

"Velez-Blanco" Fine Art Print

Ketty Haolin Zhang, Canada

$120

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($120)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This piece was part of Ketty Zhang’s 2022 solo show, Elevator Music, which features a collection of new works across different media, centering around the theme of elevators. The elevator sits at the intersection of a few topics the artist is interested in: corporate culture, transience, transition...

Year Created:

2022

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Ketty Haolin Zhang (b. Chaoyang) is a visual artist based between New York and Vancouver, working primarily across mixed-media assemblage and painting. Informed by her diasporic experience immigrating from an industrial city in northeast China as a teenager, her work explores the state of provisional belonging and how identity is built, maintained, and protected under conditions of instability. Often drawing from personal archives, literature, pop culture, and mythology, she is interested in the act of self-construction and self-transformation as a form of resistance and a way to make oneself at home in the world.

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