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Original Modernism Other Painting by Wilhem Von Kalisz
Original Modernism Other Painting by Wilhem Von Kalisz
medium-01
Original Modernism Other Painting by Wilhem Von Kalisz
medium-02
Original Modernism Other Painting by Wilhem Von Kalisz
medium-03
Original Modernism Other Painting by Wilhem Von Kalisz
Original Modernism Other Painting by Wilhem Von Kalisz
Original Modernism Other Painting by Wilhem Von Kalisz
Original Modernism Other Painting by Wilhem Von Kalisz
Original Modernism Other Painting by Wilhem Von Kalisz

18

"Venus, thy eternal sway" Fine Art Print

Wilhem Von Kalisz, United Kingdom

$138

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
21 x 14 in ($138)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The birth of Venus is a famous scene of classical mythology that has inspired many painters. In 21th century, I decided to work again on that classical theme.

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I don't feel that it is necessary to know exactly what I am. The main interest in life and work is to become someone else that you were not in the beginning. Born in Belgium, the sinuous road of life has taken me to Russia, Pakistan, Congo, China and currently UK. In my art, I'm someone who uses 'the means at hand,' that is, the instruments I find at my disposition around me, those which are already there, which had not been especially conceived with an eye to the operation for which they are to be used and to which I try by trial and error to adapt them, not hesitating to change them whenever it appears necessary, or to try several of them at once, even if their form and their origin are heterogenous—and so forth. I believe that a painting is not an artwork unless it hides from the first comer, from the first glance, the law of its composition and the rules of its game. An artwork should remains, moreover, forever imperceptible. Its laws and rules are not, however, harbored in the inaccessibility of a secret; it is simply that they can never be booked, in the present, into anything that could rigorously be called a perception.”

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