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Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
small-01
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
small-02
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher
Original Abstract Expressionism Abstract Painting by Virginia Glasmacher

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"Vista, Cerualean Blue-Cadmium Green" Fine Art Print

Virginia Glasmacher, Germany

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 6 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Impressions of nature are my primary source of inspiration. The open sky, cloud formations, geological structures are points of reference for this painting. However, my works are not descriptive but rather reflect my experience in nature. Acrylic on canvas, signed on the back.

Year Created:

2013

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Virginia Glasmacher explores a broad range of means of expression in her painting. The artist is rooted in the modernist tradition, taking the Abstract Expressionism and Art Informel as a point of departure for her painterly investigations. For her, embracing abstraction does not mean a departure from the representational world. At times one seems to recognize a horizon, a reflecting water surface, cliff formations, general elements of landscape. Yet the viewer’s eye is always brought back to the surface, is drawn to patches of color or brushstrokes. Spontaneously emerging forms, such as those created by thin paint running down the canvas, are integrated into the overall composition. Individual brushstrokes remain as traces of the artist’s hand, thereby letting the viewer follow the development process. The emergence of the image involves the interplay of consciously made decisions and a response to the given, to what has already emerged. In this artistic strategy, the most important stage is not the beginning of the painting process but its end, which is marked by the decision not to add anything else to the image, the decision that it is ultimately “found”.

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India Balyejusa, Senior Curator