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Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
medium-01
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
medium-02
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
medium-03
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman
Original Abstract Expressionism Abstract Painting by Finn Campbell-Notman

4

"Waiting for Godot No11" Fine Art Print

Finn Campbell-Notman, Spain

$129

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
14 x 21 in ($129)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Waiting for Godot began as a series of images in response to the play/book of the same name by Samuel Beckett. These were begun perhaps ten years ago now but I have returned to them often principally because the themes in Waiting for Godot and how I approached and depicted them was I think very succ...

Year Created:

2013

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Finn Campbell-Notman M.A. R.C.A British, London 1970, Finn grew up in rural England, principally Norfolk and Somerset. Over the years he has lived and worked in Cornwall, London, UK, San Francisco, USA, Brussels, Belgium and Andalusia and Barcelona, Spain. • An artist is essentially a lens through which the universe is refracted. Each lens however is unique. The ongoing aim is to make my particular lens as clear, focused, personal and distinctive as it can be. For me this means being continuously vigilant to life’s mutability, to have an open and receptive fragility in regard to this flux and from a position of attentive awareness and inquisitiveness attempt to communicate my experience of it through the work, thereby to arrive at some small amount of reciprocal wisdom about both myself and the world. The artwork as such is the result of that which has been projected by the universe through me and thus the imagery is an attempt to create both photographs - in the sense that my work focuses this ‘light’, and to create images in the sense that they are an expression of the distillation that happens within, sometimes over the course of extended periods of time. It is to be an instrument to record and express the tension and play between intra-mission and extra-mission, the meeting of the brush or pencil being the focal point. The artworks are thus microcosms, simultaneously process and practice. When I achieve this there is a stillness and poise, a subtle sense of the uncanny or perhaps, in Han’s Belting’s terms; the ‘aura’; a kind of calm vivacity to my work. My principal wish is always to improve my ability to communicate more eloquently through my work and for the work to speak with honesty and clarity. I think we respond to an artwork in a variety of ways but we especially respond to those that 'feel true' irrespective of whether they are representational or not. That response to 'trueness' or perhaps ’rightness’ I think derives from the tangibility felt by the viewer of the experience shown i.e what has been distilled within the work is transmitted and apparent to the receiver. Art is to me thus also an ethical/moral activity; the personal, socio-cultural, political and natural are inseparable and I try to reconcile all this within and through my work.

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