2
"Waltz #1" Fine Art Print
$50
Material
- 100% cotton, acid-free, museum quality paper
- Printed with archival pigmented inks
- Has a 2"-3" white border with matte finish
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
10 W x 8 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Need more information?
Bio - Rob Snikkar I work mainly with oils. I also paint in watercolour, draw and create mobile sculptures. I have been influenced by Kupka, Kandinsky, Brooker, Russolo and others and have made a study of representing music. I am now returning to paintings involving music and geometric abstractions. I will also make small mobile sculptures. For a period I focused on creating works involving social justice issues and political protest. Artist's statement Music and visual art are languages that touch our innate aesthetics. So many feelings and concepts are shared by these arts; composition, motif, balance, harmony, tension, discord, tone, key, movement, rhythm, rest, foreground, background, depth.... But how to... - represent music through painting and sculpture? Not to simply transcribe music into notation such as sheet music. - capture the sound space, tonality, rhythm, and feel of music visually? - compose visual works that evoke the same emotive responses as music? - represent a particular piece or style of music? - paint the particular voice of Miles Davis' muted horn, a minor key, a symphony, the timbre of Chet Baker's quavering voice, or the song Back To Black by Amy Winehouse?
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