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Original Abstract Landscape Painting by Kateryna Ivonina
Original Abstract Landscape Painting by Kateryna Ivonina
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Original Abstract Landscape Painting by Kateryna Ivonina
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Original Abstract Landscape Painting by Kateryna Ivonina
Original Abstract Landscape Painting by Kateryna Ivonina
Original Abstract Landscape Painting by Kateryna Ivonina
Original Abstract Landscape Painting by Kateryna Ivonina
Original Abstract Landscape Painting by Kateryna Ivonina

87

"Winter morning" Fine Art Print

Kateryna Ivonina, United States

$150

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($150)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work belongs to the Landscape series, where the image approaches recognisable forms while remaining suspended between abstraction and reality. The painting emerges from a state of foreboding — a moment of fragile calm marked by an unspoken sense of rupture. Tree-like verticals appear as human ...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Kateryna Ivonina is a Ukrainian artist and she lives in the USA from the end of 2021 "Perception transforms the way we recognize and project meaning onto the world around us. In my artistic practice, I am interested in the relationship between human beings and nature, and in how natural forms are transformed through memory, projection, symbolism, and cultural interpretation. Working primarily through still life and landscape, I move between abstraction and figuration, treating both not as fixed categories but as oscillating conditions of perception. Familiar forms shift between object and body, image and presence, the tangible and the imagined. I am particularly interested in the anthropomorphic nature of seeing — in the human tendency to recognize ourselves in the world around us, projecting emotions, narratives, and identities onto forms that exist beyond us. Through this process, painting becomes less a form of representation and more a way of revealing how meaning itself is constructed. Optics plays a central role in my work. I create images at the level of the gaze, in a space shaped by memory, associations, bodily experience, and unstable perception. Repetition, variation, and subtle displacement allow ordinary imagery to move beyond stable definition, creating visual situations where fluid identities and shifting meanings can emerge. My work is also rooted in an ongoing reflection on the reciprocal relationship between humans and nature — how deeply human creativity, culture, and systems of meaning are shaped by natural forms, while at the same time transforming them through interpretation and intervention. I am interested in this tension: in the fragile balance between intimacy and alienation, creation and destruction, recognition and distortion. Rather than offering fixed interpretations, my work remains open, existing in a constant oscillation between abstraction and figuration, materiality and illusion, familiarity and ambiguity."

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