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Original Abstract Nude Painting by Sandra Cohen
Original Abstract Nude Painting by Sandra Cohen
small-01
Original Abstract Nude Painting by Sandra Cohen
small-02
Original Abstract Nude Painting by Sandra Cohen
Original Abstract Nude Painting by Sandra Cohen
Original Abstract Nude Painting by Sandra Cohen
Original Abstract Nude Painting by Sandra Cohen
Original Abstract Nude Painting by Sandra Cohen

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"hi-hat kabbalah" Fine Art Print

Sandra Cohen, United States

$188

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 20 in ($188)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

a conversation between parts of the whole pulchritude set to a soundtrack of bad-ass drumming

Year Created:

2015

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Music, gender, consciousness and memory are entangled with my artwork. I’m also fascinated by paradoxes and dualities like space/time or idiot/savant. You might find me trying to turn a circle inside out, pawing at a flickering chaos/control of deadly hysterical frightening beautiful manic (ir)rationality. Specifically comic to me is the desire to visually ‘fix’ the un-fixed… the Human Condition I suppose. Language and music are usually present in some part of my process and personal memory is unavoidable, sometimes coalescing into hybrids of film noir characters, mythical archetypes, cartoon idiots, people I’ve known (or not), merciless earworms. Following my experience as a musician and performer, much of my work is editing, restraining the temptation to say everything at once, and laughing at the certainty of derailment. What interests me most is often invisible.

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Curator - India Balyejusa

India Balyejusa, Senior Curator