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Original Abstract Landscape Painting by Christian Alexander Hoffmann
Original Abstract Landscape Painting by Christian Alexander Hoffmann
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Original Abstract Landscape Painting by Christian Alexander Hoffmann
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Original Abstract Landscape Painting by Christian Alexander Hoffmann
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Original Abstract Landscape Painting by Christian Alexander Hoffmann
Original Abstract Landscape Painting by Christian Alexander Hoffmann
Original Abstract Landscape Painting by Christian Alexander Hoffmann
Original Abstract Landscape Painting by Christian Alexander Hoffmann
Original Abstract Landscape Painting by Christian Alexander Hoffmann

8

"zwielicht, dionysisch II" Fine Art Print

Christian Alexander Hoffmann, Germany

$258

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
21 x 14 in ($258)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Contemplation, Impressionismus, Wahrnehmung, Meditation, Visuelle Faszination

Year Created:

2009

Subject:
Styles:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

21 W x 14 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Beauty lies in the eye of the beholder. Following this well-known concept, the works of me demand of the recipient a particular form of empathy and a co-creative viewing process. Mostly, where something vanishes, something new emerges. Visualised, it is a permanent transitional zone that finds its expression in Hoffmann's use of broken colours. This points significantly beyond the momentariness of a single painting and represents a process that can also be understood as a narrative of a system characterized by permanent change. For in the instant between two states such as light and darkness or warmth and cold, concrete forms also become indistinct – horizon lines or water surfaces appear blurred by diffused light and dissolve in hazy air. But it is right here, at the very heart of the perpetual movement, that a special moment of tranquility and deep understanding can be found. Comprehensive seeing and recognition including an inward view are needed here, enabling the beholder to "pause and let time stand still".

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