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View In My Room

A web of cracks Print - Limited Edition of 37

Karina Ananikian

Georgia

Open Edition Prints Available:
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Metal

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Acrylic

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12 x 16 in ($142)

12 x 16 in ($142)

24 x 32 in ($284)

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White Canvas

White Canvas

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White ($135)

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$142

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A surface resembling exfoliated glass or a biological pattern under a microscope speaks to the fragility of the structure on which everything is built. It is both a map of destruction and rebirth, where cracks become new roads. There is no clear boundary between destruction and creation — only organ...

Year Created:

2023

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My name is Karina Ananikian. My photography practice I started because of the internal call. I liked to make beautiful pictures. Later I wondered what makes the shot recognizable and how to get that very photo so that every frame is unique, a unit, not a streaming image. Then the idea came: "From already existing create not yet existing". I started experimenting, studying the effect of light and color. Post-processing has always been an integral part of my work, but suddenly I allowed myself to take the frame away, let the original material change its meaning at its core, give the process whole, not knowing the result in advance, but feeling it in the process. And it started to work out, I was enjoying the visual pleasure of my work. At one point it wasn’t enough. I didn’t understand what was behind each picture, they started to seem empty. But how to solve this, I could not understand. Suddenly came the community of meaningful photography, taking into account context, thought, purpose. And it all turned around. It became clear how I should go on. I did visual research, suffered defeats, sometimes finding answers, but more often stumbling upon questions. This gave a new twist in development. Since then, my practice has become more conscious. And it seems that the next crisis is still far away.

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