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Fried Barbie Print - Limited Edition of 5

Mirko Credito

Italy

Open Edition Prints Available:
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16 x 16 in ($148)

16 x 16 in ($148)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Barbie, an iconic and popular doll, fried is a disfigurement of imposed beauty models. This work is part of my work on fried objects that represent icons of our time. To make this work I used a Barbie doll, I put it in the batter and then I fried it in hot oil. Subsequently, the object obtained was ...

Year Created:

2011

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Multidisciplinary artist. Mirko Credito was born in Genoa. During his studies at art high school, he founded Studiomobile, an art group that is still active today, where he began his artistic experiments with video and photography. He attended the School of Applied Arts at the Castello Sforzesco in Milan and in 1994 he started his activity as a graphic designer at the same time as an artist. From 2011 to 2015, he taught Digital Design at the Ligustica Academy of Fine Arts in Genoa. Continuously engaged in the field of video art and photography, he started a research on the use of food material as a means of expression. The series Fritture is an evolution of his previous work Maschere di patate (Masks of Potatoes), made by photographing decontextualised real crisps. The Fritture are technically treated according to a special technique: they are beaten and fried in boiling oil, then scanned with a high-definition device to produce large-format prints. Some of the objects in Fritture are a gun, a keyboard, a manga doll. The objects stand out against black backgrounds, like old icons, cropped, almost abstract, well disguised behind the gold that frying seems to imbue with gluttony and visual nausea. In a subsequent phase of his artistic journey, he changed his technique, working with materials that belong to the history of graphics and photography—films, photocopies, transferable letters, printed and recycled paper. He returned to the darkroom, creating one-step videos and paintings with layered techniques, marking a new chapter in his experimentation.

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