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Jardin Majorelle, Marrakech II (229x152cm) Print - Limited Edition of 10

Tom Hanslien

United Kingdom

Open Edition Prints Available:
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14 x 21 in ($237)

14 x 21 in ($237)

16 x 24 in ($255)

20 x 30 in ($291)

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$237

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This image is an architectural detail from Jardin Majorelle Marrakech in Morocco. Maybe most famous for being partly owned by Yves Saint-Laurent (his ashes were scattered there after he passed away in 2008). It was designed by the French artist Jacques Majorelle in 1920s and 1930s. It was opened to ...

Year Created:

2010

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

14 W x 21 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a freelance photographer based in London. I enjoy a big love for travelling, which not only takes me around the world – with many great new images as a result – it's also a continuing source of inspiration which influences and feeds my passion for photography. With a background that started with drawing and illustration, which in turn lead to graphic design I believe the foundation of the way I compose my captures is very much affected by this. I often look for very graphic compositions with strong lines, large areas of strong colour, negative space and pushing the boundaries of traditional rules of composition. There is also a different approach to the way I like capturing my images when it comes to more travel reportage images. Still looking to isolate my subject, either by using shallow focus, leading lines, concentrating of light, picking out splashes of colour, and other techniques. Most images are very much as a spectator, fly on the wall if you like - I generally don't like posed images. I feel I get a truer picture when I don't interfere, but also I'm not hiding in the distance with a tele-lens - I like to be close to my subjects in plain sight.

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