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Fine Art Paper
10 x 10 in ($40)
White ($80)
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This hand-pulled intaglio print is number 10/10 of an edition varie print that it is the only one available at this time. The image is 14x13" printed on a piece of 22x15" piece of pale blue Magnani Pescia paper with black ink. This print was created with two copper plates and a chin co lle layer. The first plate is a photo intaglio plate of the famous terra cotta soldiers, the second plate is a traditional hard ground etching and the final layer is chin colle made with various spray paints. tradition hard ground etching. I have had Arabian horses all my life and this print is a farewell to one of my favorite horses. For me printmaking is a life long experiment where the chosen elements and materials have to fit together to create a magical vision.
2017
Giclee on Fine Art Paper
10 W x 10 H x 0.1 D in
15.25 W x 15.25 H x 1.2 D in
White
Yes
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I came to be a painter ~ printmaker ~ art historian as a result of great changes later in my life. A search for meaning and identity brought me to art ~ a visual record of the journey of my mind, body and spirit, without disconnecting from my past. My exploration of the creative process lead me to enroll at UCSC and graduate with degrees in studio art and in art history. Through the study of art history I feel connected to a broader past, to a timeless tradition in the art that has always been a primary concern for man, the expression of his existence. With decades of work with animals I also feel co ected to a deeper past ~ the animal nature that empowers us. My figurative paintings, prints, and drawings are concerned with the physical and psychological factors that define our perceptions and influences our actions. Our ability to respond with compassion is dependent upon our continuing process of self-realization and self-knowledge. Since the nature of individuality is inherently dynamic, the ability to truly obtain that personal insight is mysterious. The intuitive and emotional parts of our response mechanism play a major role in our interactions with reality. When I begin weighing compositional possibilities and considering the consequences of my chosen actions, compassion for the other may at times come into conflict with self-protection. For now the moment of indecision creates tension. The paintings and drawings are ultimately guided by an observation of this point of conflict. There is a range of visual solutions in my work, from at times being narrative and romantic, to an analytical investigation involving relational ordering of images. The use of the multiple picture plane and layering of visual information have been compelling formats to explore these issues. With the symbolic ordering of imagery, the viewer must decide what each element symbolically represents, then reconcile their co-existence. My recent works have an added concern involving my choice of materials and how it might mediate the range of interpretations and conceptual issues available in the finished piece. What has become apparent is that the choice of media to execute the images has a profound impact on the visual statement; calling attention to the process, there by changing the viewer’s interpretation of the elements. I enjoy this dual referencing both inside and outside the works of art.
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