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Original Abstract Women Printmaking by Priscilla Imbriani
Original Abstract Women Printmaking by Priscilla Imbriani
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Original Abstract Women Printmaking by Priscilla Imbriani
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Original Abstract Women Printmaking by Priscilla Imbriani
Original Abstract Women Printmaking by Priscilla Imbriani
Original Abstract Women Printmaking by Priscilla Imbriani
Original Abstract Women Printmaking by Priscilla Imbriani
Original Abstract Women Printmaking by Priscilla Imbriani

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"Metamorphosis - unique piece - made with Victoria's Secrets lace and silk" Fine Art Print

Priscilla Imbriani, Italy

$59

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($59)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Made with lace and silk, with lacerated pieces of Victoria's Secrets lingerie. It stems partly from lithograph technique. (A02)

Year Created:

2015

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

The most important fragments of the past become pure sight and deep reflection on the emotional spheres which have been irreversibly changed by the consumer society. Persuasion is clear by now, it dominates every action and ethical/moral thought, it affects immediately every emotional state by changing and altering the main needs and the human relationships. Matter has absorbed soul. Connections with forms of pleasure are not apart: it's all compromised by the sense of "rejection" meant as wastefulness, the sense of pleasure consumes up to the ephemeral phase and up to a threshold of rationality satisfied by excess. By becoming object of consumption, we are later destined to rejection: in individualism and nihilism there isn't any possibility of further transformation. If once the painter, by gathering all his vital force, stopped the circumstance before further transformation ("Pictor - the painter, the artist -, succeeds in stopping what is temporary just before what changes continuously has accomplished its further metamorphosis". Pictor's metamorphosis, H. Hesse), I represent a static, distressing and respectably smart phase of stagnation of the human condition: we live immobility in the chaos and our immobility is paradoxically caused by purely temporary emotional states. As victim and consequently executioner, the formal choice in some ways slightly alludes to the principles of the "Apollonian beauty" which nowadays is interpreted by the appearance dictated by Advertising. The image is charming, the balance tends to be solemn, the aesthetic pose is to the utmost but it hides a controversial detail (the scratch, the laceration) which inverts the first visual impact and reverses the meaning to open to a deeper and universal expressivity. At that instant the veil has been lacerated...

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