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Original Figurative Sports Printmaking by Brigitte Spiegeler
Original Figurative Sports Printmaking by Brigitte Spiegeler
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Original Figurative Sports Printmaking by Brigitte Spiegeler
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Original Figurative Sports Printmaking by Brigitte Spiegeler
Original Figurative Sports Printmaking by Brigitte Spiegeler
Original Figurative Sports Printmaking by Brigitte Spiegeler
Original Figurative Sports Printmaking by Brigitte Spiegeler
Original Figurative Sports Printmaking by Brigitte Spiegeler

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"Olympic Games Jump 2022 Beijing" Fine Art Print

Brigitte Spiegeler, Netherlands

$100

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
9 x 12 in ($100)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This work is inspired by the vintage art work which was made for the first Olympic Winter Games which were held in Chamonix in France in 1924. The work depicts the actual scenery of the Big Air Shougang sports stadium, where a ski jump is made.

Year Created:

2021

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Iconic, eye-catching yet serene, high-quality artworks. Works of Brigitte Spiegeler are in various international private and company collections. Participated in the Venice Biennial 2017. ‘Brigitte Spiegeler’s work is about an imaginary time, which exists only in our minds: a timeless, internal time. Like a memory: vague, with reappearing details (the memory is engraved in the present moment, but in the same time immensely distant and imperceptible (memories belongs to the past). The blue colour gives a different relation with the time: it is a modern time, with abstract forms, superimposed on a fixed past, a complement to what already existed.’ (Quote by Philip Peters in the publication ‘Byzantine Blue’)

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Audrey Wolfe, Assistant Curator