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Original Conceptual Women Printmaking by Inés Rojo
Original Conceptual Women Printmaking by Inés Rojo
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Original Conceptual Women Printmaking by Inés Rojo
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Original Conceptual Women Printmaking by Inés Rojo
Original Conceptual Women Printmaking by Inés Rojo
Original Conceptual Women Printmaking by Inés Rojo
Original Conceptual Women Printmaking by Inés Rojo
Original Conceptual Women Printmaking by Inés Rojo

2

"Woman Merchandise - Limited Edition of 10" Fine Art Print

Inés Rojo, Spain

$94

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
12 x 9 in ($94)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Women Merchandise series is a crossroads between a technique of classic engraving, complicated and dangerous (for the acids that are used), and the inevitable current look where the image is more than ever in history very easy to reproduce. It is then from the collage, the composition of images give...

Year Created:

2010

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

The expression of the feminine is closely related to body image and our culture remains very specific patterns on it. Our collective around the image of women and the feminine imaginary defines us hopelessly identity within society and on a personal level. The direct relation that the images that make up our everyday environment with the way we understand our body influences how our nature is accepted or rejected either internally or externally. The need to modify ourselves appears, we adopt a performative attitude, we act. It influences in relation to the physical as with the roles we adopt. Gender studies and post-feminism have given my artistic production in recent years. Judith Butler trials are a reference. I do a content analysis of subliminal advertising inserted in directing our gaze and thought to a very concrete concept of what is supposed to be born as a woman (or man). I am interested in recreating that relationship build or deconstruct compositions through appropriate media or photographs of performances that I make of myself. Having Cindy Sherman as a reference, in my compositions the plasticity of the painting is contrasted with the photographic image. The construction comes from putting together parts of a dismembered whole, while deconstruction is given by dissecting and hiding parts to give a new form. The body, the body itself, the female body, shown, cut, battered… The emotional and physical experience come together in my work. In Continent and contained I think a set of boundaries between full and empty. The relationship established between spaces with photography speaks about the “continent”. This is any dividing lines between our body (language, country, sex, etc.) and on the other side “containment” appears in and of the feminine framed within that continent, the square, the rational concept, what is imposed. The boundary or border represented by the color fields, the parts, cuts and junctions represent that invisible, rejected or imposed.

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