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Big monster stool Print

Gabriela Sagarminaga


Open Edition Prints Available:

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Photo Paper

Photo Paper

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8 x 12 in ($100)

8 x 12 in ($100)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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About The Artwork

By straddling the boundary between art object and design furniture, the fringes of this stool recall the groves of tall grass from which “esparto” is collected—that natural and resilient fibre used by weavers to make espadrilles and baskets. Overflowing with potential from every angle, captured in the midst of its creation, it holds a space between an animal mane and the work in progress. "Little Monsters" furniture’s set it’s composed of a high stool, low stool and a table. CHARACTERISTICS The little monster’s set is composed of: High stool 28cm x 28cm x 75cm Low stool 29cm x 29cm x 46cm A table 56cm x 56cm x 56cm However, we can adjust the measurements to your needs. Designed and handcrafted in collaboration with the Industrial furniture design studio MIID in Bilbao. * The displayed product images and the actual products may show slight differences. * Products shown in images are sold separately. MATERIALS It is made with natural esparto topped with strips of marrow and metal.

Details & Dimensions

Print:Giclee on Photo Paper

Size:8 W x 12 H x 0.1 D in

Size with Frame:13.25 W x 17.25 H x 1.2 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

In 2017, I, Gabriela de Sagarminaga, set up Sagarminaga Atelier, an art and craft studio born from an illusion: to collect an ancestral tradition, that of the artisan work of vegetable fibers, to design and produce exclusive and timeless pieces, and to create spaces with great expressive value. I aim to create objects that have something behind them, a story of their own. There is a reason to explain the purpose of existence of our crafts which explain the beginning of their storytelling. Since I tasted the heartwarming activity of handcrafting with vegetable fibers, I've been fascinated by their qualities and contrasts, their lightness and their intensity and its ductility. I am seduced by their meanings and their ability to convey sensations, to talk about culture and traditions, and to create links between past and present, between people and their environments. As such I believe and seek to create timeless pieces and in lived spaces that are entangled and involved with the languages ​​and emotions of each of the people who participate in them. I like balance and volume, gaps, quality and rhythm, raw and aesthetic. Geometry, Tilt, and Overlap are engraved signs of identity. An exciting adventure.

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