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Original Abstract Expressionism Men Sculpture by Djordje Aralica
Original Abstract Expressionism Men Sculpture by Djordje Aralica
small-01
Original Abstract Expressionism Men Sculpture by Djordje Aralica
small-02
Original Abstract Expressionism Men Sculpture by Djordje Aralica
Original Abstract Expressionism Men Sculpture by Djordje Aralica
Original Abstract Expressionism Men Sculpture by Djordje Aralica
Original Abstract Expressionism Men Sculpture by Djordje Aralica
Original Abstract Expressionism Men Sculpture by Djordje Aralica

18

"Goblet" Fine Art Print

Djordje Aralica, Serbia

$99

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
12 x 16 in ($99)
Select a Canvas Wrap
White Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

7.87x7.87x18.30in, 9lb 4.15oz (4.2 kg). Featured in: https://www.youtube.com/watch?v=j_bak4e3_HA https://www.youtube.com/watch?v=JgOtV6mVLFU Djordje Aralica: WaterAirTime New chains by Djordje Aralica! On this occasion, world constitutive elements – water, air, and time – presented in the title a...

Year Created:

2016

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

12 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Usually, the place where I live at any given moment, with its daily routines, dictates the choice of my subject matter. As a rule, I am interested in the objects of everyday life, which appear to be surprisingly uniform wherever you go. In my work, they unite collective and personal experience. I never recycle real objects in a manner of an assemblage, but rather present my own associative, monumentalized interpretation of their form. I choose medium, mode of craftsmanship, both of which suggest underlying narrative context, but also provide monumental quality of architecture. My objects are reduced to a gallery format, but I see them as large-scale urban sculptures evocative of common human activities.

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