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Original Expressionism Nude Sculpture by Tomasz KoclęGa
Original Expressionism Nude Sculpture by Tomasz KoclęGa
small-01
Original Expressionism Nude Sculpture by Tomasz KoclęGa
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Original Expressionism Nude Sculpture by Tomasz KoclęGa
Original Expressionism Nude Sculpture by Tomasz KoclęGa
Original Expressionism Nude Sculpture by Tomasz KoclęGa
Original Expressionism Nude Sculpture by Tomasz KoclęGa
Original Expressionism Nude Sculpture by Tomasz KoclęGa

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"Trustfulness" Fine Art Print

Tomasz KoclęGa, Poland

$20

Material
  • Premium glossy photo paper to provide superior color gamut and stunning image quality
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with glossy finish
Photo Paper
Size
8 x 10 in ($20)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

sculpture

Year Created:

2012

Subject:
Medium:

Print, Giclee on Photo Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

In my work I focus on man. I am interested in analysing human behaviour, attitudes, and emotions. Through my indirect, poetical forms I explore the fields of human sensitivity, desires, feelings, worries or energies that I am influenced by. I try to base my work on elusive, hardly definable feelings, emotions that we are all tossed between, hidden desires appearing in our dreams or in real life. I have no intention to make comments on current affairs. I express myself through figurative sculptures, which are often white, deformed, headless figures. It is with them that I build my own catalogue of human behaviour. To me the headless figure represents a human being; I do not identify it with any particular person; I do not name it. At the opposite pole of my artistic expression are human heads. These usually huge forms, although separated from the rest of the body, symbolise a man in his spiritual and intellectual life, in his reason, wisdom and, finally, in his human perfection.

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Audrey Wolfe, Assistant Curator