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Voices from the uncoscious n°18 Print

Lele De Bonis

Italy

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About The Artwork

Eighteenth work in the series. In this work the artist approaches the representation of the unconscious in a violent way. This work represents, like numbers 15 and 16, an evolution compared to previous works as it manifests aggressive gestures. Starting from the left, the work looks like a sort of rock suspended on a kind of emotional magma. There are scratches (made with a grinder) that not only affect the kind of "rock" that represents our unconscious but the very background / place where it lives. Compared to other works in which the manifestation of the unconscious has always been represented in more or less sweet, calm forms, now the same unconscious screams, beats, scratches our soul. as if he wanted to release the most violent and angry we hide from the eyes of the real world. the work, on a wooden support, is made with rusty iron and water-based enamels.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1980, Lele De Bonis lives and works as a set designer for several companies in the theater, cinema, amusement parks and outdoor scenography sectors. At the same time he has developed a personal artistic path focused on the concept of recovery and assembly, through which he represents what strikes him most in real life. The human being is the center of his works and he usually represents it in a cynical and grotesque key, without ever condemning it. Wood and aluminum are the materials he uses the most. Beyond the message, their constructive juxtaposition allows him to play and experience infinite alchemical relationships between hot and cold materials. Starting from the concept of “ready made”, through his assemblages, Lele is constantly searching for an aesthetic dialogue aimed at creating a material and chromatic balance between the different materials within a composition. His works are a continuous alternation between explicit references to the current historical context and a more abstract, introspective research.

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