






Collage, Photography on Canvas
36 W x 36 H in
Ships in a Crate
This work will ship in a secure wooden crate. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
This piece is a mixture of paper and lacquered cloth, the dancers are hidden in the lacquered panels which are secured to the piece using steel bolts. The original image was taken from a series of stitched photographs of the Winter Gardens of the Kraznapolsky Hotel.
Year Created:
2011
Subject:
Styles:
Mediums:
Mediums:
Collage, Photography on Canvas
Rarity:
One-of-a-kind Artwork
Size:
36 W x 36 H x 2 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Images have been at the centre of Allan Levy’s life since childhood. From his first Zorki 4K camera at the age of twelve, through a degree in photographic science and a long career in editorial photography, making images has remained a constant thread.
Over time, however, the single image was no longer enough.
This shift led to an expanded practice — one that moves beyond traditional photography into participatory, large-scale works that combine image-making, creative technology, and collective experience. Drawing on decades of photographic knowledge alongside a deep interest in digital processes, Allan now creates complex photographic mosaics and public artworks built from hundreds or thousands of individual contributions.
At the core of the work is a simple idea: images become more powerful when they are shared. Each piece brings together fragments of personal perspective to form a larger, unified whole — often created live, in real time, with communities, schools, and public audiences.
While his earlier work explored movement and atmosphere through panoramic imagery, his current practice extends this into physical space — creating works that are not only seen, but experienced as they evolve. The process is as important as the outcome, with the act of making becoming a visible and engaging part of the artwork itself.
Working primarily with lightweight digital tools and bespoke software systems, Allan’s practice bridges craft and technology, enabling artworks that are both immediate and scalable. The resulting pieces sit between photography, installation, and social interaction.
Inspiration continues to be drawn from urban environments, landscape, and the energy of public spaces — but always with a focus on connection, participation, and the shared act of creation.
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