Romy Maloon

Though I was born in the United States, my cultural and familial history is resolutely one of other places and identities. As Jewish South Africans, my parents fled the apartheid government of South Africa, not as an act of protest, but rather in fear that the changing tides of history might one day swallow them--swallow us--whole. My work is an attempt to ingratiate and reconcile these disparate identities and geographic spaces with my own personal politics. A generation removed from South Africa, I attempt to reconnect artistically with a place and a political perspective from which I am linked by blood.

My sculptures are a tongue-in-cheek re-imagining of stock "African" and American kitsch images: the slain antelope, the mounted rifle, embellished to mitigate their disturbing imagery. I create sculptures that utilize lowbrow synthetic craft materials to create high-end visceral imagery. Mounted hunting trophies and guns can insight feelings of great unease or admiration depending on the perspective of the viewer. No matter how an individual feels about hunting as sport, it is an activity of power and dominance. It is this space, between the unsettling and the beautiful, the fractured and whole, the displaced and the rooted, ...

August 2005-May2009
Ringling College of Art and Design 2700 North Tamiami Trail Sarasota, FL 34234-5895 BFA

January 2008-May 2008 New York Studio Program 20 Jay Street, Suite M10 Brooklyn, NY 11201 Independent studio program

June 2007-August 2007 Pratt Institute with Global Learning Labs China; Lhasa, Beijing, Xining, Shainghi, Tibet, Amdo, Rebkong Stone Carving and Copper pounding courses, Studied Thanka and Tibetan Language, Participated in fund raising for the Gomar Computer Project