Madia Nicoletta Cotimbo

I love to invent, build and design the most disparate objects. The best occasions are in the theatre. I worked as ser designer and tool maker for the opera and dance.
Sculpture is congenial to me and I've preferred paper to durable materials perhaps because of its affinity to the ephemeral nature of the play.
Paper is the sheet where the project is born,
where the first sketch of the idea will take shape and that shape must maintain the immediacy of the sketch. The sign must retain its essentiality and thus exclude the use of colors: only black ink more or less diluted for gray variations, and the white color of the paper with all its differences in tone and transparency.

I studied set design at the Fine Arts Academy of Urbino, in the Marche region. I attended professional courses for the use of digital technologies and the learning of 3D modeling software. I love foreign languages and I know English and Russian quite well.

Celestial architectures, 1995 Borderline Project, Conventino di Monteciccardo, Pesaro.
Puccini Festival 2017, Paper Turandot, installation, Torre del Lago, Lucca.