Denise Marts

Technology has played an important role in the development of my work as an artist. Though I consider myself primarily a painter, I feel that much of my most original and progressive work is in the newly emergent digital medium. I grew up artistically in the heart of a technological hub and this was central to the integration of technology with my art. I do not believe that technology is "the" future of art. I believe that technology, like every innovation in art before it, is an exciting new aspect of modern art and I feel honored to be a part of that.

I am also a theorist on the nascent field of contemporary metapsychology.

Integrative studies in French and psychology at Weber State University, Ogden, Utah, 1984-88.

Stonehouse, Redmond, Washington, solo exhibition, "Art and Spontaneous Regression" 1994

Stonehouse, Redmond, Washington, solo exhibition, "The Symbolism of Spiritual Emergence", 1995

Stonehouse, Redmond, Washington, solo exhibition, "Art as Healing", 1996

Pacific Northwest Center for Holistic Studies, solo exhibitions, 1999-2002, "Interpretive Studies of Picasso and Modigliani Nudes"

Gilman Street Gallery, Redmond, Washington, solo exhibition, "Blue House Photographic Series", 2008

Gilman Street Gallery, Redmond, Washington, solo exhibition, "Interpretive Studies of Modigliani Nudes", 2008

Gilman Street Gallery, Redmond, Washington, solo exhibition, "Creative Entropy", 2009

Blaubak Gallery of Modern Art, Kirkland, Washington, group exhibitions 2010-2011

Guest Artist Solo Exhibition, The Olympus, Seattle, WA, August 2013

Kristin Johnson Fine Art, Santa Fe, New Mexico, group exhibitions, 2013- 2014

Substantial private collections of my work are held by by longtime supporters and patrons throughout the United States.