B K

My work centers on a concept I call Stratification:
the organization of what cannot be removed.

Every digital artwork contains an invisible story — not the one on the surface, but the one embedded in its structure. I create delicate, woven signatures placed directly inside the image itself. They are not overlays, watermarks, certificates, tokens, or blockchain assets. They are part of the artwork’s internal fabric, inseparable from the moment it first became itself.

The artwork can be viewed, shared, collected, and lived with freely.
But the original always remembers where it began.

Each piece includes a private authentication ritual.
If the artwork remains untouched, it verifies itself.
If it is altered — even subtly — the verification falls silent.

This approach offers something rare in digital art:
authorship without speculation, provenance without ledgers, permanence without external systems.

Southbank TAFE, Brisbane, Australia

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