Agostina De Pasquale

Visual and multimedia artist expanding her research into music. Her practice merges, digital art, photography, video, and sound into a unified sensory experience to explore the relationships between body, perception, memory, and space.



Through projects such as Corpo e spazio (Body and Space) and Corporalità tra spazio e materia (Corporality Between Space and Matter), she examines the visceral link between physical and spiritual dimensions. Her work also encompasses an extensive series of unreleased pieces and evolving archival projects, which form the intimate core of her visual inquiry.

In her most recent work, including the photographic project Riflessi d’intimità (Reflections of Intimacy)—presented at the group exhibition Mare Nostrum (Bari, 2025)—water serves as a metaphor for the unconscious and a repository for involuntary memory.

Beyond her structured projects, her practice is driven by continuous experimentation: her jazz guitar studies and sound exploration serve as an ongoing laboratory, laying the foundation for the future evolution of her visual and musical language.

After earning her diploma in Figurative Arts, she graduated in New Technologies for Art from the Academy of Fine Arts in Bari, while simultaneously undertaking rigorous studies in jazz guitar, aiming to fully integrate instrumental performance into her artistic work. This interdisciplinary approach led to the creation of Urox, an audiovisual installation that investigates the metamorphosis of being by contrasting the momentum of combustion with the slowness of oxidation.

2026: Beyond the Boundaries of the Visible, solo exhibition at the Archaeological Park of the Hypogea of Trinitapoli.

2025: Mare Nostrum, group exhibition at the former Post Office Palace, Bari.

2023: International group exhibition at FAB Gallery, Tirana (Albania).

2022: Selected for the National Arts Prize (PNA) with the work Corporeality Volubile.

2022: “Mostrare per Valorizzare”, video mapping at Palazzo Pesce, Mola di Bari.