When I returned to representational art in the late '70s, watercolor was my first love - probably because it was so different in technique from the abstract oils I had done back in Florida eight years earlier. I became a transparent watercolor purist, working from light to dark, no opaque paint, ever. I used masking fluid in all kinds devious ways to achieve intricate highlights I couldn't get by painting around them. I got over the purism eventually, and sumi dishes from Japan became my preferred watercolors. I try to get the same high contrast, dramatic chiaroscuro effects in my watercolors as in my oil paintings.
21 Artworks curated by Warren Criswell
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