Inspired by photographers such as Jaromir Funke, the pinhole camera is deliberately used here to achieve image effects that cannot be achieved with a "normal" camera. By using the pinhole camera, the subject is removed from the mechanical realism of the medium of photography. The austerity and clarity of the image is softened by the natural blur of the lensless camera. A very own Aesthetics, supported by a full range of tonal values, from the deepest black to the brightest white in the representation of pure light transfer the object "chair" from the realm of realistic imaging to a graphically emphasized representation of light and shadow.
3 artworks