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"Écureuil espiègle" Collage

Ghyslaine Payant

Canada

Collage, Paper on Acrylic

Size: 18 W x 12 H x 0.1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

In the park, squirrels swarm and make eyes at passers-by to get a peanut or a piece of bread. But in this bucolic scene, there are hidden traces of the passage of men, plastic, glass, if you look carefully you will see the pollution that soils nature and time flies!

Year Created:

2024

Subject:
Mediums:

Collage, Paper on Acrylic

Rarity:

One-of-a-kind Artwork

Size:

18 W x 12 H x 0.1 D in

Ready to Hang:

Yes

Frame:

Black

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

Welcome to my artistic universe. I am a multidisciplinary artist: photographer, painter, I also do a little sculpture but it is with my collages that my approach is the most accomplished. With images cut out from fashion, cooking, renovation magazines, and others, I create paintings depicting daily life, landscapes, cities. The cut-out images are a reflection of the wealth of a part of the population, of overconsumption. By the opposition of these cuts, these tears, these fragmented and reconstructed images, I show the contradictions and the abyss that exist between these two worlds, between wealth and poverty. On the other hand, when I stage nature, the cut-out images are a reflection of the pollution that is integrated into the landscapes, so omnipresent that we no longer see it unless we look closely. Symbol of the urgency of the passing of time which is leading the world to even more inequalities and climatic catastrophes, I integrate dials into my paintings. For painting, whether it's acrylic, watercolor, oil or other, I use my photos as inspiration and mainly my travel photos. I have a rather naive style and I don't bother with too many details.

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Audrey Wolfe, Assistant Curator