view additional image 1
View in a Room ArtworkView in a Room Background
Composition of poetic character built from the dramatization of the characters, chromatic contrast and rhythms of matter. Emphasing the portrait, the work also results from the fusion of influences of several contemporary artists. The introduction of standards like Kehinde Wiley, the technique and strength of Graham Dean's own watercolor, the dramatization of Nathan Ford's models, and Ali Cavanaugh's transcendent context are all cited. There is, however, the original imprint on the pursuit of serenity and the introduction of a standardized and decorative Lusitanian element: the tile ("Azulejo"). In this way, the essence is sought for the roots, the values, the humanization.
 Composition is impregnated with duality: the geometric rigidity of patterns opposing the organic forms of the centers of interest, the identifiable to the unknown, translated by the uncertainty of a look whose protected face and the child's hand interpellate the attention of the observer. Shyness? Fear? Courage? Dare? Curiosity?
There is a whole possibility of expressive intentions that are innate to the human genesis.
The blue color is premeditatedly dominant (associated with the feeling of tranquility) and the tonal valorization of the models is intentionally intensified to give strength to the narrative.
The background is only utilitarian, simple structured ornament in mosaics that are revealed proportionally diminished against the weight of the masses of the models. The children placed in the foreground assume a protagonism materialized by the tonal vitality, the gesture and the verticalities of the forms (representative of spirituality).

300 gsm Arches paper
Sennelier Watercolour
Composition of poetic character built from the dramatization of the characters, chromatic contrast and rhythms of matter. Emphasing the portrait, the work also results from the fusion of influences of several contemporary artists. The introduction of standards like Kehinde Wiley, the technique and strength of Graham Dean's own watercolor, the dramatization of Nathan Ford's models, and Ali Cavanaugh's transcendent context are all cited. There is, however, the original imprint on the pursuit of serenity and the introduction of a standardized and decorative Lusitanian element: the tile ("Azulejo"). In this way, the essence is sought for the roots, the values, the humanization.
 Composition is impregnated with duality: the geometric rigidity of patterns opposing the organic forms of the centers of interest, the identifiable to the unknown, translated by the uncertainty of a look whose protected face and the child's hand interpellate the attention of the observer. Shyness? Fear? Courage? Dare? Curiosity?
There is a whole possibility of expressive intentions that are innate to the human genesis.
The blue color is premeditatedly dominant (associated with the feeling of tranquility) and the tonal valorization of the models is intentionally intensified to give strength to the narrative.
The background is only utilitarian, simple structured ornament in mosaics that are revealed proportionally diminished against the weight of the masses of the models. The children placed in the foreground assume a protagonism materialized by the tonal vitality, the gesture and the verticalities of the forms (representative of spirituality).

300 gsm Arches paper
Sennelier Watercolour
104 Views
2

VIEW IN MY ROOM

Escondida (Hidden) Collage

Adelaide Morgado

Portugal

Collage, Watercolor on Other

Size: 31.5 W x 27.6 H x 0 D in

Ships in a Box

info-circle
SOLD
Originally listed for $810
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
104 Views
2

About The Artwork

Composition of poetic character built from the dramatization of the characters, chromatic contrast and rhythms of matter. Emphasing the portrait, the work also results from the fusion of influences of several contemporary artists. The introduction of standards like Kehinde Wiley, the technique and strength of Graham Dean's own watercolor, the dramatization of Nathan Ford's models, and Ali Cavanaugh's transcendent context are all cited. There is, however, the original imprint on the pursuit of serenity and the introduction of a standardized and decorative Lusitanian element: the tile ("Azulejo"). In this way, the essence is sought for the roots, the values, the humanization. Composition is impregnated with duality: the geometric rigidity of patterns opposing the organic forms of the centers of interest, the identifiable to the unknown, translated by the uncertainty of a look whose protected face and the child's hand interpellate the attention of the observer. Shyness? Fear? Courage? Dare? Curiosity? There is a whole possibility of expressive intentions that are innate to the human genesis. The blue color is premeditatedly dominant (associated with the feeling of tranquility) and the tonal valorization of the models is intentionally intensified to give strength to the narrative. The background is only utilitarian, simple structured ornament in mosaics that are revealed proportionally diminished against the weight of the masses of the models. The children placed in the foreground assume a protagonism materialized by the tonal vitality, the gesture and the verticalities of the forms (representative of spirituality). 300 gsm Arches paper Sennelier Watercolour

Details & Dimensions

Collage:Watercolor on Other

Original:One-of-a-kind Artwork

Size:31.5 W x 27.6 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Adelaide Morgado was born (n.1972) and studied in France. She currently lives in Aveiro, Portugal. She is currently studying Painting at the Faculty of Fine Arts in Porto. Body and facial language, expressiveness of gesture and color are the elements that give more strength to his work. Although she began painting with oil more than twenty-five years ago, watercolor is now the technique that is more versatile and better response to creative needs. His work is inspired by the strengths of Lita Cabellut and Nathan Ford's characters, Alberto Giacometti's sculptural constructions, Graham Dean's and Eric Lacombe's technique, and the merger of Kehinde Wiley's standards.

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support