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I built a portrait using thousands of color beads in order, again, to obtain multiple perceptions of the image.I’ve used several two-dimensional strategies to disturb viewers’ perceptions, strategies that prompt them to move about and try broaching the portrait from different distances. Through his or her motion, the spectator becomes a kind of zoom lens, varying focal length to produce effects of nearness and distance. Approaching the image to get a better look, viewers lose their grip on the identifiable reality of the photograph; reference points that normally serve to guide viewers of photography evade them here. The spectator must then fall back on a purely formal, even abstract reading.
I built a portrait using thousands of color beads in order, again, to obtain multiple perceptions of the image.I’ve used several two-dimensional strategies to disturb viewers’ perceptions, strategies that prompt them to move about and try broaching the portrait from different distances. Through his or her motion, the spectator becomes a kind of zoom lens, varying focal length to produce effects of nearness and distance. Approaching the image to get a better look, viewers lose their grip on the identifiable reality of the photograph; reference points that normally serve to guide viewers of photography evade them here. The spectator must then fall back on a purely formal, even abstract reading.

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John Lennon Collage

Jean-Pierre Seguin

Canada

Collage, Other on Other

Size: 6.3 W x 7.8 H x 1 D in

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$1,350

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ABOUT THE ARTWORK

I built a portrait using thousands of color beads in order, again, to obtain multiple perceptions of the image.I’ve used several two-dimensional strategies to disturb viewers’ perceptions, strategies that prompt them to move about and try broaching the portrait from different distances. Through his or her motion, the spectator becomes a kind of zoom lens, varying focal length to produce effects of nearness and distance. Approaching the image to get a better look, viewers lose their grip on the identifiable reality of the photograph; reference points that normally serve to guide viewers of photography evade them here. The spectator must then fall back on a purely formal, even abstract reading.

DETAILS AND DIMENSIONS
Collage:

Other on Other

Original:

One-of-a-kind Artwork

Size:

6.3 W x 7.8 H x 1 D in

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Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jean-Pierre Seguin has been a professor in the department of arts and letters at the Universite du Quebec à Chicoutimi since 1979. For a number of years, his pictorial and photographic research has been oriented toward representation systems and portrait making. His work has been in exhibitions in Canada and abroad, the most recent of which are 39-45, Galerie Graff, Montreal (2015); WW2, OK Harris, New York (2014);Artists Portraits, Galerie Graff, Montreal (2012);Beards in Beads, OK Harris, New York (2009); Beaded Portraits, OK Harris, New York (2007); Figures, Musée d'art contemporain des Laurentides, St-Jérôme (2006-07); 1040 tableaux, Langage Plus, Alma (2006); Métaphoretraits, CNE, Jonquière (2005); and Corps et Figures, Montréal Télégraphe, Montréal (2001). His works are included in numerous private and public collections.

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