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"Loss Of Memory - Memory Ram On Paper - 21 X 29 Cm" Collage

Ricardo Toledo, Brazil

Collage, Found Objects on Other

11.4 W x 8.3 H in

This artwork is not for sale.

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LOSS OF MEMORY - MEMORY RAM ON PAPER

Year Created:

2010

Styles:
Mediums:

Collage, Found Objects on Other

Rarity:

One-of-a-kind Artwork

Size:

11.4 W x 8.3 H x 2.4 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

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Features paintings using coded character code for information exchange, which propagate and reverberate noise by creating a plan between high technology and low technology of computer painting. Texts like prayers, song lyrics are converted to ASCII codes that represent texts in computers, communications equipment and other devices. Developed since 1960, most modern character encodings have inherited the ASCII code as a basis, where each character is represented by eight characters. A re-write the lyrics and prayers in the paint code is arranged in overlapping layers and arranged in a non-linear, making it impossible to read the text that originates, perhaps even by those who know the code. Thus, the painting is organized as a deep and silent meditation on the hidden meanings that reverberate there. Apresenta pinturas com a utilização de caracteres codificados por código para intercâmbio de informação, que se propagam e reverberam pelo plano criando um ruído entre a alta tecnologia da informática e a baixa tecnologia da pintura. Textos como orações, letras de música são convertidos em códigos ASCII, que representam os textos em computadores, equipamentos de comunicação e outros dispositivos. Desenvolvida a partir de 1960, grande parte das codificações de caracteres modernas herdaram o código ASCII como base, onde cada caractere é representado por oito caracteres. Uma re-escrita das letras de músicas e orações em código é disposta na pintura em camadas superpostas e organizadas de forma não linear, impossibilitando a leitura do texto que a origina, mesmo por aqueles que porventura conheçam o código. Desta maneira, a pintura se organiza como uma meditação profunda e silenciosa sobre os significados ocultos que ali reverberam.

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