VIEW IN MY ROOM
France
Collage, Paper on Paper
Size: 47.2 W x 65 H x 0.6 D in
Ships in a Crate
Shipping included
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Artist featured in a collection
“So let China sleep, because when China wakes up the whole world will tremble. Everyone is familiar with this prediction pronounced, it is said, by Napoleon in 1816: no matter that no one has found any trace of it in his writings, it reflects a muted and always renewed anxiety that the 19th century will not be afraid to call "yellow peril" and which becomes topical again in the Axis century, in the form of a new invasion, that of T-shirts and other cotton dresses, while waiting for the sequel. With a population that represents a quarter of humanity, subject to a mysterious half-communist, half-capitalist regime, now open to major international trade, China is frightening. Even to Trump's America and its symbols... China is scary. Even to the America of Trump and its symbols... It was this reflection that prompted me to do this Madeready. I wanted to play with red, yellow and the figure of Maryline Monroe to try to create a visual tension under the gaze of a spectator Europe (symbolized by the diversion of the word "paris". “So let China sleep, because when China wakes up the whole world will tremble. Everyone is familiar with this prediction pronounced, it is said, by Napoleon in 1816: no matter that no one has found any trace of it in his writings, it reflects a muted and always renewed anxiety that the 19th century will not be afraid to call "yellow peril" and which becomes topical again in the Axis century, in the form of a new invasion, that of T-shirts and other cotton dresses, while waiting for the sequel. With a population that represents a quarter of humanity, subject to a mysterious half-communist, half-capitalist regime, now open to major international trade, China is frightening. Even to Trump's America and its symbols... China is scary. Even to the America of Trump and its symbols... It was this reflection that prompted me to do this Madeready. I wanted to play with red, yellow and the figure of Maryline Monroe to try to create a visual tension under the gaze of a spectator Europe (symbolized by the diversion of the word "paris". Technique: Torn posters collected in Paris (France) between 2013 and 2014 and glued together on canvas (+Gesso). Serie "Paris" (2014 - 2020) Possibility American case, choice of colours: black or white
Collage:Paper on Paper
Original:One-of-a-kind Artwork
Size:47.2 W x 65 H x 0.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:France.
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Kerkhove Dominique, alias DomKcollage, European citizen, seeks on the walls of the cities what makes his raw material: the poster. Ecologically realistic, he uses what already exists to transform it. He creates unique "MadeReady" (or collages) from torn posters. He appropriates them and breathes a new destiny into an ephemeral urban creation to make it a contemporary work inscribed in time. Freed from the shackles of a specific doctrine, he nevertheless recognizes a technical proximity used by certain artists: Villéglé, Rotella for the appropriation of posters, Dufresnes for the exploitation of the underside of the poster, Pollock and his "All Over" technique. or even Vostell for its "take-off" philosophy. Recently he added printing ink to his MadeReady. Use of the acronym # as a disruptive decorative element in the composition of his collages. Since 2015, Kerkhove Dominique alias DomKcollage lives and works between Dunkirk, Paris and Tel Aviv.
Artist featured by Saatchi Art in a collection
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