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"Geometric Maelstrom" Artwork

Alberto Capitani, Italy

Digital, Artificial Intelligence on Other

28.1 W x 28.1 H in

This artwork is not for sale.

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"Geometric Maelstrom" captures a moment of controlled chaos within a meticulously constructed composition. The image is segmented into quadrants, each offering a variation on the theme of geometric progression. At the center, a stark contrast is created by a concentric arrangement of black and white...

Year Created:

2024

Subject:
Mediums:

Digital, Artificial Intelligence on Other

Rarity:

One-of-a-kind Artwork

Size:

28.1 W x 28.1 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

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Free returns within 14 days of delivery. Visit our help section for more information.

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Born in Brescia in 1957 and raised in Milan, Alberto Capitani is a digital artist bridging classical training and contemporary AI. A piano graduate of the Giuseppe Verdi Conservatory (with further studies in composition and electronic music), he also pursued mathematical logic and theoretical philosophy at the University of Milan. After more than four decades teaching piano, he shifted to visual arts, working with Midjourney, DALL-E, and ChatGPT to create a body of about 1,700 works. Images and texts are conceived as complementary parts, and series statements act as the red thread that frames each collection as a complete graphic-conceptual story. His research is deliberately open in style: style is a means — and sometimes the spark — in the pursuit of artistic substance. Artist Statement I work at the intersection of images and words. Many pieces are conceived as pairs: an image and a concise text that complete one another. Beyond single works, I build graphic-conceptual stories guided by a series statement that sets context, tone, and direction. With AI as my studio partner, I move between algorithm and metaphor, light and irony, searching for forms that question themselves and invite the viewer to follow the thread of the series. Each work negotiates between the visible and the invisible, the structured and the spontaneous, the human and the artificial.

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