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Gogo and the Singing Forest, Cover Artwork - Limited Edition of 250

Gwendol Gains

United Kingdom

Digital, Digital on Canvas

Size: 6.3 W x 9.4 H x 0.1 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This is my first children's book to be published by Austin Macauley this 6 December 2024. I was inspired by the woods that surrounded my home and which were visited regularly by deer. I both wrote and illustrated the story. It aims to encourage children to engage with nature and each other in a pos...

Year Created:

2024

Subject:
Mediums:

Digital, Digital on Canvas

Rarity:

Limited Edition of 250

Size:

6.3 W x 9.4 H x 0.1 D in

Ready to Hang:

No

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Need more information?

Explore nature's landscapes offers a lifetime of discovery. Remembering the ground is archaic and has a language all it's own. Against that permanence, an ever changing wind, light & seasonal variations construct different grammars. The delight of heathers interwoven with other flora allows spiritual colours of mauves and purples. Painting is about looking and 'seeing' intently. We all see a subject differently. I hope my work challenges the viewers notion of landscape. I grew up on a mixed farm. This allowed me the access and freedom to explore nature in all its glory. The landscape is changing radically with the effects of climate change and the advancements in farming practices together with urbanisation creep. The countryside is changing as we once knew it. ​ My interest as an artist lies in the effect man has on the land. In particular the way farmers and land workers inadvertently create barriers that resemble 'installations' to keep in their livestock ( or not as is the case most often). Various configurations of obscure objects such as rusting corrugated sheeting, wire meshing, the odd tree stump or an old oil drum, when creatively assembled provide a barrier and an interesting installation deserving of an artist's attention. Drystane dyking outlines and defines areas of land, there for us all to marvel. When in decline they tumbledown and become dishevelled providing that gap or extra doorway into the vista ahead. Framing the landscape in a natural way for the artist to depict. It has been my aim to catch those disappearing elements where souls scour a living from those wild and woolly outcrops from the Hebrides to the open vistas of Northumberland and beyond.

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