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"Grandmum Nmaa wedding 1" Artwork - Limited Edition of 20

Albert Nii Nortey Dowuona, Ghana

Digital, Digital on Canvas

12 W x 18 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The work is part of a series I started in 2020 with my maternal grandmother as the focal subject in the composition. Her image appears surrendered and engulfed in complex collage of Wax Prints and newsprint. The Process, though digital, was developed from a traditional collage technique of using r...

Year Created:

2022

Subject:
Mediums:

Digital, Digital on Canvas

Rarity:

Limited Edition of 20

Size:

12 W x 18 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ghana.

Need more information?

Need more information?

Albert Nii Nortey Dowuona – alniinod (b. 1987) is an artist who lives and works in Accra, Ghana. He earned his BFA in Painting and Sculpture from Kwame Nkrumah University of Science and Technology (KNUST), Kumasi in 2010. Nii Nortey explores materials that have with them “voices” or “narratives” where he employs them into his socio-political narrative. These materials come as everyday and already-made items. Some of the items he has explored on within his art practice include the potter’s wheel, fabric, newspapers, audio-visuals, and popular musical tunes in his works. Nii Nortey is currently exploring the idea of Social Identity and Authenticity where the “African-print fabric” becomes an allegory to comment on the complex nature of identity. The fabric’s history; its origin, production, designs, consumers, usage, representation and its brands create a narrative of mixed identity and authenticity.

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