O Miguel achou o prato no forno? Artwork

Committed to originality and lasting legacy, I strictly limit the availability of my prints. Once an original artwork is sold, all its corresponding prints are immediately suspended, and the digital file used for the print is permanently destroyed. This ensures your Fine Art print is the only existing copy with 200-year quality and durability, guaranteeing exclusive value and rarity for collectors. For your complete assurance and the piece's authenticity, all artworks are signed by me and come with a certificate of authenticity. My art is more than just a piece; it's a legacy. As a Brazilian Black Contemporary Artist, I create works designed to last for generations. Each piece uses the highest quality Fine Art printing on 100% Cotton Canvas, with anti-mold treatment for 200 years of durability and always vibrant colors. My images come from the emotions created by my daily life, creating something that transcends imagination. Having my culture crossed by cultural industrialization, which no longer accepts it in its original format, having to express its feelings according to the evolution of the market and capital generated by the cultural consumption of the history of a people. Creating interference in my interpretation of signs according to their manifestation in objects and images in the perception of the cultural construction of large metropolises. Analyzing how the cultural metamorphosis occurs in the great cultural centers and what is my role in this new urban narrative. Where artistic concepts are cataloged in order to produce capital, which not only affects the mass media, but the contemporary art market itself. With new forms of production aimed at capital, techniques adapted to accompany an exhaustive creative pace of production. They make the market empty of original concepts and reinforce the mass production of the same image or work of art only as a social status and decoration item, not as the cultural identity of a people or group of people. Relying on a purely aesthetic narrative devoid of concept or emotion. Through my work I try to create an aesthetic narrative where the concept expresses emotions and experiences, producing works that visually impact the public, bringing to light a place of belonging and cultural development. Using techniques from industrialization itself to create cultural identity and identification with ancestry with groups that resemble me.